Arthur and Corinne Cantrill are two of Australia’s most prominent experimental filmmakers. The Cantrills are well known for their ‘colour separation’ films. To create these works they shoot a scene three separate times on black and white film stock, using a different colour filter each time. In the lab, they combine these three films onto a single Eastmancolour print. This process creates dramatic transitions in colour that the Cantrills liken to the vibrancy of Technicolor. Though the footage here was shot in the mid-’80s, it was only last year that they edited it into this fifteen-minute movie. Structurally it’s simple enough: just a series of views of various parts of inner Melbourne, from panoramic wide shots to close-ups of the sides of buildings. The soundtrack blends and warps familiar urban noises – cars, buskers, the ringing bells of trams – into a kind of musique concréte.

"...In the film, Wilkerson presents four interviewees. Two are widows whose family members (one husband, one son) were Afghan vets who committed suicide. The other two are women who lost family members because Detroit Edison turned off their electricity during the winter. Wilkerson does nothing to draw parallels between these two forms of injustice. Rather, by simply juxtaposing the women’s stories, we are able to see how systematic indifference to human life takes multiple forms, but comes back to the same root causes, and how we are indeed fighting the same war against the poor and disenfranchised at home and abroad – ici et ailleurs. – Michael Sicinski, Mubi Notebook.

'The Room of Chromatic Mystery' is (...) another three-colour separation film, shot in the living room of the Cantrills’ old house in Brunswick. An ordinary domestic scene, with flowers and carved artifacts on a table by the window; but the borderlines of these objects quiver, and everything is bathed in a spectral or perhaps extraterrestrial glow. The mysterious soundtrack blends voices from earlier films – including the whispering of the singers in 'Two Women' – with discussions in a foreign language on a shortwave radio, drowned in static like the hiss of time escaping. An image of a place. An echo of a voice.

Elderly inmates are dying mysteriously one after another in their prison cells.

Marcus Fleischman's reincarnation proves a frustrating one. His widow, in his absence, leads the simple life of a shopkeeper, and brings up their son as best she can.

Inspired by Rod Serlings “The Twilight Zone,“ City of Mercy is a new episodic television series, which tells the stories of an urban New York City underworld and explores the minds and souls of some of the most complex and dangerous human beings in the world. “City of Mercy“ resides in a realm where cult leaders, false prophets and mad men veil themselves in the shadows as the faithful hunt them down. This series reveals a mosaic of humanity, which lives within the tapestry of cultural diversity. Where mysticism ends and the occult begins “City of Mercy“ elicits answers which can only be found in the darkest regions of our imagination.

The show revolved around a multi-generational family living under one roof in Atlanta led by patriarch Curtis Payne and his wife Ella.

During the Great Recession, joblessness exceeds 20 percent east of the Anacostia River in Washington, DC. City of Trees follows the intimate stories of Charles, Michael and James, three long-term unemployed residents struggling to gain employment through 'shovel ready' green projects. When stimulus dollars run out, short term idealism clashes with day-to-day survival in the struggle to find a sense of purpose and place in a recovering economy.

An assassination attempt on Mumbai's most powerful politician triggers a dirty game of power and politics in the Gaikwad family. With his son and daughter racing to the throne, lines between moral and immoral blur and a lot is at stake

Judge Lauren Lake hears cases involving not only questions of paternity, but also many types of stories involving DNA.